Dissident Publics: ROM Studio

ROM Studio
Exutoire & NOGOODS 
22. - 26. august 2022

“Dissident Publics: Future Artefacts of Queer Methodologies” is a collaborative artistic research project launching in August 2022 at ROM for kunst og arkitektur.

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

This co-curation and co-creation project explores “queer” as an agent of change and the act of “queering” as a radically inclusive approach to the making of public space. By bringing together architecture, visual arts, performance art, and activism, it aims at creating new queer narratives, methodologies, artefacts, and imaginaries of public space to break free from the overshadowing heteronormative conditioning of cities today.

The project is initiated and coordinated by ROM’s curators in residence Exutoire (Bui Quy Son and Paul-Antoine Lucas), and curated together with NOGOODS (Danja Burchard and Maike Statz).

ROM Studio (22–26 August 2022, Oslo) marks the beginning of the co-creation process of “Dissident Publics”, gathering five artists and architects: Léa Brami (Brussels-based French artist, architect and writer), Mahé Cordier-Jouanne (French architect and tattoo artist), Lexie Owen (Oslo-based Canadian interdisciplinary artist), Liene Pavlovska (Latvian scenographer and spatial designer), and Jan Trinh (Norwegian architect).

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

The ROM Studio period will be open to the public on two occasions:

EVENING TALKS
Tuesday 23 August, 17:00 – 19:00
at ROM for kunst og arkitektur
17:00 – 18:00: “The Labour of Memory” with Eliot Moleba
18:00 – 19:00: “Performative Appropriations for Bodies in Space and Architecture” with Saúl García-López aka La Saula

SEMINAR
Friday 26 August, 09:00 – 17:00
at ROM for kunst og arkitektur and online
09:00 – 09:15: Coffee & introduction
09:15 – 10:30: “For the Public Good?” with María Mazzanti
10:45 – 12:15: “Somatic Fictions and Transmaterial Realities” with Teo Ala-Ruona
12:15 – 13:15 : Lunch
13:15 – 14:45: “Mapping Multi-Scale Experiences in the Urban Fabric: A Visual Exercise on Disclosing Spatial Dissidence” with Jean Makhlouta
15:00 – 16:30: “Queer Commons: The Three Spheres” with Alexander Auris
16:30 – 17:00: Closing session
17:00 – 19:00: Social gathering

The project and collaboration will continue throughout 2022–2023 and culminate in a collective exhibition and public programme at ROM in May–June 2023.

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

Dissident Publics: Future Artefacts of Queer Methodologies (2022). Foto: Bui Quy Son

Collaborators of the project (first phase):

Eliot Moleba is a researcher, playwright, and theatre director. He is currently a Research Fellow at KHiO and an Editorial Committee member of VIS – The Nordic Journal for Artistic Research. He is also a member of MEMORYWORK, an international interdisciplinary research project.

Saúl García-López aka La Saula is a performance artist, Professor in Performance at the Norwegian Theatre Academy, and co-artistic director of La Pocha Nostra. Saúl is co-author of the book La Pocha Nostra: A Handbook For The Rebel Artist in a Post-Democratic Society. His work focuses on performance pedagogy, indigeneity, gender, and decolonial theory.

María Mazzanti (1988, Bogotá, Colombia) is a spatial practitioner based between Amsterdam and Bogota, particularly interested in critical spatial practices and publishing. She is an editor in Failed Architecture. María has held different teaching and research positions at The Sandberg Instituut, The Rietveld Academy (Amsterdam), HSE University (Moscow), Universidad de los Andes (Bogota), Universidad del Norte (Barranquilla), and Universiteit van Amsterdam.

Teo Ala-Ruona is a Helsinki-based performance artist whose work focuses on speculative somatic fiction and body horror in forms of performances and texts. Ala-Ruona discusses techno-trans-masculinity, sex, queer ecology and toxicity through re-defining language and narratives telling about pleasure and intimacy on a toxic Earth. By often using his own body as a site for various speculative stories to take place, he experiments on how through fiction he can transform himself, as well as the perspectives from which others look at his body.

Jean Makhlouta is an architect and a Ph.D. candidate in geography at Paris 1 Panthéon-Sorbonne. His research focuses on queer mobilities and space-making in Beirut.

Alexander Auris is a Peruvian architect and researcher based in Brussels. His work unfolds from an intimate exploration of his own intersectionality in relation to space. The results are presented in different types of media such as video, writing, performance, and spatial design. He is the founder of Queer World, a research project exploring queerness as a human condition and its relation to space in cities worldwide.

Dissident Publics is supported by the Arts Council Norway (Kulturrådet), Globus Opstart - Nordisk Kulturfond, L’Institut français de Norvège, the Norwegian Ministry of Foreign Affairs, and the Royal Norwegian Embassy in Paris.